The work of Portishead co-founder Geoff Barrow, this scabrous though undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own parents. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Still, a darkly funny standoff unfolds – David eager to get away; the Woodsman denying his container of cider, intent on soaking him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single key story turn, but it leads to a hilariously staged chaotic run on the forest trails that dips close to folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now lets rip with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film releases in UK and Irish cinemas from November 17.
